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哀而不伤，平而不凡。热风带着潮湿的水汽在游窜，淡水河口的老榕树，纳凉的老人摇着蒲扇，树荫下孩时的你我在嬉玩中忘记了时光。可以有《童年往事》里夏日的鸣蝉，也可以有着《恋恋风尘》里依稀沉寂的远山。那海水一次次地冲刷着海滩，小毕在年少岁月里肆意地成长，留下着模糊的脚印一串串。

高中的时候我还专门为这部电影写了篇英语作文。

“我不懂得为什么生活里不愉快的琐琐碎碎，不管是忧愁的、痛苦的，很久很久以后想起来，却都是珍惜的。而且越远了越近，越久了越真 。” 质朴动人，一切都轻描淡写却又难以忘怀，后半段略有刻意斧凿而稍逊一筹。虽然这并不是我的童年，但共鸣却无处不在。“天皇皇地皇皇”我家也贴过！

看到最后就发现其实这是一部跨越种族的爱情片。其实仔细想想真的是个好故事，那个年代虽然特效真的不咋地，但是特效不咋地的科幻貌似才是好科幻呐，啧啧

Ah, so Midsommar was inspired by this! Powerful, distinctive portrayal of an otherworldly village where paganism beliefs have seeped in everywhere and every person functions as part of an organic whole. The affability and peacefulness visible to the eyes are all the more horrifying when underlain by sinister intentions. As we learn everything through the sergeant's eyes, the identification has been built up throughout the entire film and therefore the final wicker man scene comes even harder and stronger, leaving us shiver in total hopelessness. (When the sergeant shouts desperately 'can't you see there is no sun god!', does he have a fleeting doubt about his Lord Jesus Christ too?)