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4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

外国孩子都这么阴险么。。。

很难想象能够把狂欢化和梅尼普讽刺体的小说影像化到这种高度，某种程度上也是对文学性的完全臣服。空间层次过渡到现实空间中，现实空间借助情景穿插幻想与回忆，而其源头则是Flu对理智的病毒式侵蚀，由个体认知出发延展时空维度，从而完成多层次结构的对位。

嗯，这女的长得一般，故事情节还行

可以想象成灵魂视角的片子吧，看到结尾处男主倒着跑，我还以为是倒序，但过了一会儿又转回正着跑了哈哈哈哈。套用一句李安说的话“我看不懂，但我大受震撼”。回头跳着二刷三刷吧。