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这个电影很适合爸爸带着宝贝去看，或者是一家三口，一家四口去看。

「I will never understand those people. → Those people? Those people are my family.」「It seems to me that being interested in more people is generally better than being interested in fewer people.」「Someone else telling you that you can't have it, suddenly it makes you want the chicken more than anything. → Or maybe it makes you realize how much you love chicken.」「Sometimes you just don't wanna sleep alone.」「If you believe in the life you've lived, then don't let someone else take it away. Take back your story before it's too late.」「If you've manipulated the truth, is it the truth anymore?」

有种《致命女人》姊妹篇的既视感…反转大法好，充满了一种黑色幽默…除了美男与野兽幸福地在一起之外，我觉得剧中最无辜的是莫名其妙被杀死的布莱恩与莫名其妙被拖入浑水的曼迪…蛇蝎美人奥利弗太可怕了，这种反社会人格的人在现实生活中其实才是最危险的存在…

电影拍得太笨。值得肯定的是老人家自然的演绎，儿童视角完全缺失，小盆友也没有灵气。对比李睿珺导演的《告诉他们，我乘白鹤去了》，同样是老人和儿童的互动，就可以看出导演手法上的高下之别，这和成本无关。

这个虚构故事的意义何在?