小时候看的哭的稀里哗啦的

第一集觉得配乐很俗套。看完觉得很感动。女人，在文学里可以达到的复杂深远。现实的生活里是对未来的一无所知。

With Maiko, somewhere in 2018. I had watched the movie, and she told me that she had been to the places in the movie. We were sleepless as well. I've always liked sleeplessness, defiant agaisnt death, a conscious dream. Irrelevant things and words come up. No time's passing. Solid. But the days are gone, and I miss you. In a movie that I used to like, and all the movies that I used to have liked. In them I miss many things, including the futrue, a dog, and the past. But just like the nights the future will be another's too; Melbournian evenings, streets warm and far away and the river quietly sinking; I dive deep, lights blinking, my white table kills, namelessly, a city's doomed fate.

冷战的假想敌被消耗殆尽，终于要拿自己人开刀了。也唯有此，传统的英雄美女模式才能切换，获得更大的容量和更多的内涵，在冷血的间谍游戏中展现的责任和温情才更加有力。影片充满了对50周年的缅怀和告别，也是对007电影走向尽头怀疑的一次截然有劲的回应。只是克雷格的尊容委实有些难接受。可打三星半

多年后再想起，发现那竟然是我与你相遇的桥段，我和你拥抱的细节，也或许是我和你分别的场景。