「So does that make it more tragic or less tragic that if he has a choice? → I think it's more tragic because if it's all just inevitable, then that means that the characters had no hope. They never had hope because they're all just like hopeless. They're all like pawns in this horrible, hopeless machine.」「You didn't kill her. She isn't gone.」

督爷太帅了太帅了太帅了呜呜呜呜，一小缕头毛垂下来真的帅死。意气风发的开头到战战兢兢地视线恐惧症，觉得自己无法被人原谅却在别人身上得到了最终想要的救赎。他拿到了圣杯。

鬼片拍得这么高级，用呈现演绎绝不说理，就是高级本身。唯一美中不足好像少了这个世界观的绝对性，适合深夜烧脑

我惊喜得发现巩俐从这个时候开始就奠定了她之后强大的气场。张艺谋在这部电影里寻求探索，他果然是最懂巩俐的，妩媚而风情的角色唯有巩俐驾驭得最好。影片多次用近景来表现影片主演的各种情绪和心思。譬如水生从初期的懵懂到之后或刚毅或愤怒的情绪，抑或孙淳在最后被揭发的一长段面部特写把他的焦虑和

连着看7集，还挺上头的，但剪辑有点乱