s1人vs人(追了)\ s2人vs机(追一半)\ s3 s4机vs人(弃) \s5机vs机(追末集)。结局没得罪各路粉，编剧玩了个情节开放的结构闭环。一个能把对手干掉，又备份了自己第三条命的AI怎么会算错让李突突翘掉?画面给出的阵亡都是间接证据.或者在续集里来个意识传输到实体的“铠甲威龙”，fiction怎么都编得通的。

更像是杜拉斯的影像书写。一种主客移位的方式：主角（阿克曼自己）始终被抽离，视线由父母方发射。由始至终展现的纽约城空镜是主体缺失之后必然的填充；画外之音也只截取了母亲的来信，回信被省去目的就是让观众自动去理清事线。所以，漫漫思绪弥漫在了广袤的时空之中。

我懂这场战役很难，可都几乎算是世界末日了，求求你们穿件防弹衣怎么就那么难？有时间准备炸药没时间准备降落伞？我为卡特根妹李四感到不值，elias那一枪是救不回来了但其他人？完全可以的吧？看完倒不觉得难过，简直是为虐而虐，明明招募了更多的执行人员结果到大结局就五个人挨个被伤……话说回来宅总黑化真得等了我五季，TM史上最好AI，包容小队里所有人的缺点…

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

TT（p.s.这季的Grace好棒啊，感觉前几季对她的描写有点敷衍