电影中的左翼青年在自己的象牙塔内狂欢，他们拿着红宝书，念着标语。 为了他们自以为的理想而去刺杀高官，结果还杀错了。 结局是暑假结束回去上学。 有位豆友说这部电影充斥着戈达尔对于当时法国左翼群体的怀疑和迷茫。我觉得这句话很精辟，准确。

虚幻美好的单身中女童话剧

20200530再看发现几个人的阶级矛盾从一开始就出现了，尤其是维罗尼卡和Yvonne。| 20171013哈哈哈哈哈哈哈。学院里的年轻人对于政治光谱另一端模糊的冲动和遐想（正着反着都是这样）和行为上的差异现在有时候也还适用呢。（但其实每个人都懂个毛啊看一会儿David Graeber吧 https://theanarchistlibrary.org/library/david-graeber-revolution-i

有关梦想，止于梦想，不只是梦想。

The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière